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	<title>Sound Design For Pros</title>
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		<title>Sound Design For Pros</title>
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		<title>SOUND DESIGN FOR PROS &#8211; February webinar series</title>
		<link>http://sounddesignforpros.com/2012/01/31/sound-design-for-pros-february-webinar-series/</link>
		<comments>http://sounddesignforpros.com/2012/01/31/sound-design-for-pros-february-webinar-series/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 01:48:27 +0000</pubDate>
		<dc:creator>dsonn22</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://sounddesignforpros.com/?p=618</guid>
		<description><![CDATA[Presented by David Sonnenschein Author, &#8220;Sound Design: The Expressive Power of Music Voice and Sound Effects in Cinema&#8221; To all sound designers, editors, directors, music composers: Do you need to pinpoint the right sound to get that desired audience reaction? Would you like access to full-blast creativity and know-how for your sound design? Is it [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sounddesignforpros.com&amp;blog=15103419&amp;post=618&amp;subd=sounddesignforpros&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Presented by David Sonnenschein</strong></p>
<p>Author, <em><strong>&#8220;Sound Design: The Expressive Power of Music Voice and Sound Effects in Cinema&#8221;</strong></em></p>
<p>To all sound designers, editors, directors, music composers:</p>
<ul>
<li>Do you need to pinpoint the <strong>right sound</strong> to get that <strong>desired audience reaction</strong>?</li>
<li>Would you like access to <strong>full-blast creativity </strong>and <strong>know-how</strong> for your sound design?</li>
<li>Is it important to get on the same page with your <strong>director or client</strong>, and give them what they need from your sound?</li>
</ul>
<p><strong>SOUND DESIGN FOR PROS</strong> webinar series offers solutions to all that and more with a month of personal consultation on your sound design projects, plus 12 hours of recorded lectures to view any time.</p>
<p><strong>Dates</strong>:   Four consecutive Tuesdays, Feb. 14 &#8211; Mar. 6</p>
<p><strong>Session 1</strong>:   <strong>10-11am PST   <span style="color:#0000ff;"><a href="http://www.instantpresenter.com/PIID=EA53DB888649" target="_blank"><span style="color:#0000ff;">Sign up here.</span></a></span></strong></p>
<p>- OR -    (Choose <strong>only one</strong> Session time.)</p>
<p><strong>Session 2</strong>:   <strong>6-7pm PST   <span style="color:#0000ff;"> <a href="http://www.instantpresenter.com/PIID=EA53DB88874E"><span style="color:#0000ff;">Sign up here.</span></a></span></strong></p>
<p>Regular fee $300, big discount until Feb. 14:  <strong>$129 total</strong> (further discount with intro Webinar code)<strong><br />
</strong></p>
<p>“<em>David&#8217;s workshops rock! His mastery of the material is clear from the first lesson. What really sets David&#8217;s workshops apart, though, is his gift for teaching, and personal interest in student&#8217;s work. He invited me to share a commercial film I was making with the class, and as a result I gained insights that <strong>helped me win quick approval of the project from my client</strong>. In that way, <strong>the class paid for itself right away</strong>.</em>”</p>
<p>Dan McComb, filmmaker, Seattle, WA</p>
<p>Take a look at the 4 min. video with lots of sound design tools for you:</p>
<span style="text-align:center; display: block;"><a href="http://sounddesignforpros.com/2012/01/31/sound-design-for-pros-february-webinar-series/"><img src="http://img.youtube.com/vi/Q69RHTrkZ0A/2.jpg" alt="" /></a></span>
<p><strong>***</strong><strong> TWELVE HOURS of Lectures and Demonstrations of Sound Design principles.  </strong></p>
<p>You will have access to the recordings of this entire coursework theory and application with case studies to view as many times as you would like for the next 3 months.  The six modules cover:</p>
<p><strong>1. </strong><strong>THE INTELLIGENT EAR – Listening Modes, Sound Qualities and Bipolarities</strong></p>
<p>By deconstructing the listening experience into discrete elements, the grammar of sound design language gives you access for clear and powerful communication.</p>
<p><strong>2. </strong><strong>PLUG-IN POWER – Size, Distance, Speed and Non-Physical Reality</strong></p>
<p>Understanding principles of real world acoustics and palette of subjective auditory experiences offers you enlightened use of digital processing tools.</p>
<p><strong>3. </strong><strong>RULES OF the BRAIN ROAD – Psychoacoustic Principles and Applications</strong></p>
<p><strong> </strong>When the curtain is lifted on how humans process auditory information, you master the art of sonic illusion (creating and hiding) as essential tools in sound editing.</p>
<p><strong></strong><strong>4.  SONIC TIME-SPACE CONTINUUM – Soundscapes and Sound Spheres</strong></p>
<p>Creating an effective cinematic space depends on familiarity with your physical and social environment, and the knowledge of how to psychologically orient yourself through audio.</p>
<p><strong>5. </strong><strong>AUDIO BUILDING BLOCKS – Constructing Sound Events and Sound Objects</strong></p>
<p>Mastering techniques of sequencing, layering and mixing will infuse sonic fragments (sound effects, words) with meaningful messages (sound phrases, sentences).</p>
<p><strong>6. </strong><strong>PEOPLE, PLOT AND PASSION – Narrative Structure and Sound Mapping </strong></p>
<p>Bottom line, how can sound help tell your story?  By understanding dramatic elements of character and emotion, the map can guide you to creative and impactful decision-making.</p>
<p><strong><br />
</strong></p>
<p><strong>*** FOUR WEEKS OF PERSONAL COACHING – </strong>You will be invited to screen your sound design projects, finished or works-in-progress, for detailed, interactive feedback. This is undoubtedly the most powerful form of learning, where you can apply all the theory into your own work and creativity.<strong></strong></p>
<p>The Advanced Webinar series of 12 hours of recordings and one month of personal feedback is <strong>normally valued at $300</strong>.  There is a big discount for this offer, with the <strong>total payment of $129</strong>, plus any additional discount code you may have received if you were enrolled in a private or school intro Webinar.<strong><br />
</strong></p>
<p><strong>Dates</strong>:   Four consecutive Tuesdays, Feb. 14 &#8211; Mar. 6</p>
<p><strong>Session 1</strong>:   <strong>10-11am PST   <span style="color:#0000ff;"><a href="http://www.instantpresenter.com/PIID=EA53DB888649" target="_blank"><span style="color:#0000ff;">Sign up here.</span></a></span></strong></p>
<p>- OR -    (Choose <strong>only one</strong> Session time.)</p>
<p><strong><strong>Session 2</strong>:   <strong>6-7pm PST</strong>    <span style="color:#0000ff;"><a href="http://www.instantpresenter.com/PIID=EA53DB88874E"><span style="color:#0000ff;">Sign up here.</span></a> </span></strong></p>
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		<title>Featured Sound Designer on designingsound.org</title>
		<link>http://sounddesignforpros.com/2011/05/03/featured-sound-designer-on-designingsound-org/</link>
		<comments>http://sounddesignforpros.com/2011/05/03/featured-sound-designer-on-designingsound-org/#comments</comments>
		<pubDate>Tue, 03 May 2011 23:22:01 +0000</pubDate>
		<dc:creator>dsonn22</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://sounddesignforpros.com/?p=486</guid>
		<description><![CDATA[Designingsound.org has a series of articles on David Sonnenschein as the May 2011 Featured Sound Designer.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sounddesignforpros.com&amp;blog=15103419&amp;post=486&amp;subd=sounddesignforpros&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Designingsound.org has a <a href="http://designingsound.org/tag/david-sonnenschein-special/">series of articles</a> on David Sonnenschein as the May 2011 Featured Sound Designer.</p>
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